鐣跺墠浣嶇疆锛� 棣栭爜 > 鑱风ū鑻辫獮 > 鑱风ū鑻辫獮妯℃摤瑭﹂ > 閲嶆叾2017骞磋伔绋辫嫳瑾炵稖鍚堥鑰冭│鑰冨墠娌栧埡绶寸繏姒傛嫭澶ф剰

閲嶆叾2017骞磋伔绋辫嫳瑾炵稖鍚堥鑰冭│鑰冨墠娌栧埡绶寸繏姒傛嫭澶ф剰

鏇存柊鏅傞枔锛�2017-08-10 14:26:39 渚嗘簮锛氱挵(hu谩n)鐞冪恫(w菐ng)鏍� 鐎忚449鏀惰棌89
鎽樿 銆€銆€銆愭憳瑕併€戠挵(hu谩n)鐞冨垎浜殑閲嶆叾2017骞磋伔绋辫嫳瑾炵稖鍚堥鑰冭│鑰冨墠娌栧埡绶寸繏姒傛嫭澶ф剰甯屾湜灏嶅ぇ瀹跺倷鑰冭伔绋辫嫳瑾炶€冭│鏈夊公鍔�锛屾洿澶氳硣鏂欐暚璜嬮棞(gu膩n)娉ㄧ挵(hu谩n)鐞冭伔绋辫嫳瑾炶€冭│闋婚亾锛岀恫(w菐ng)鏍℃渻鍙婃檪鏇存柊鑰冭│璩囪▕......銆€銆€鐩搁棞(gu膩n)鎺ㄨ枽锛�2017骞磋伔绋辫嫳瑾�

銆€銆€銆愭憳瑕併€戠挵(hu谩n)鐞冨垎浜殑“閲嶆叾2017骞磋伔绋辫嫳瑾炵稖鍚堥鑰冭│鑰冨墠娌栧埡绶寸繏姒傛嫭澶ф剰”甯屾湜灏嶅ぇ瀹跺倷鑰冭伔绋辫嫳瑾炶€冭│鏈夊公鍔�锛屾洿澶氳硣鏂欐暚璜嬮棞(gu膩n)娉ㄧ挵(hu谩n)鐞冭伔绋辫嫳瑾炶€冭│闋婚亾锛岀恫(w菐ng)鏍℃渻鍙婃檪鏇存柊鑰冭│璩囪▕……

銆€銆€鐩搁棞(gu膩n)鎺ㄨ枽锛�2017骞磋伔绋辫嫳瑾炶€冭│缍滃悎椤炶鍖反缈掑尟绺�

銆€銆€姒傛嫭澶ф剰鑸囧畬鎴愬彞瀛�(姣忛l鍒�锛屽叡8鍒�)

銆€銆€涓嬮潰鐨勭煭鏂囧悗鏈夊叐闋呮脯瑭︿换鍕�(w霉)锛�(1)绗�1——4椤岃姹傚緸鎵€绲︾殑6鍊嬮伕闋呬腑鐐虹2——5娈电殑姣忔閬告搰1鍊嬫渶浣虫椤�;(2)绗�5——8椤岃姹傚緸鎵€绲︾殑6鍊嬮伕闋呬腑鐐烘瘡鍊嬪彞瀛愮⒑瀹�1鍊嬫渶浣抽伕闋�銆�

銆€銆€The Making of a Success Story

銆€銆€(1) IKEA is the world's largest furniture retailer, and the man behind it is Ingvar Kamprad, one of the world's most successful entrepreneurs. Born in Sweden in 1926, Kamprad was a natural business man. As a child, he enjoyed selling things and made small profits from selling matches,seeds and pencils in his community. When Kamprad was ! 7, his father gave him some money as a reward for his good grades. Naturally he used it to start up a business-- IKEA.

銆€銆€(2) IKEA's name comes from Kamprad's initials (I.K.) and the place where he grew up (E and A).

銆€銆€Today IKEA is known for its modem, minimalist furniture, but it was not a furniture company in the beginning. Rather, IKEA sold all kinds of miscellaneous goods. Kamprad's wares included anything that he could sell for profits at discounted prices, including watches, pens and stockings.

銆€銆€(3) IKEA first began to sell furniture through a mail-order catalogue in 1947. The furniture was all designed and made by manufactures near Kamprad's home. Initial sales were very encouraging, so Kamprad expanded the product line. Furniture was such a successful aspect of the business that IKEA became solely a furniture company in 1951.

銆€銆€(4) In 1953 IKEA opened its first showroom in Almhult, Sweden. IKEA is known today for its spacious stress with furniture in attractive settings, but in the early 1 950s, people ordered from catalogues. Thus response to the first showroom was overwhelming: people loved being able to see and try the furniture before buying it. This led to increased sales and the company continued to thrive. By 1955, IKEA was designing all its own furniture.

銆€銆€(5) In 1956 Kamprad saw a man disassembling a table to make it easier to transport. Kamprad was inspired. The man had given him a great idea: flat packaging. Flat packaging would mean lower shipping costs for IKEA and lower prices for customers. IKEA tried it and sales soared.

銆€銆€The problem was that people had to assemble furniture themselves, but over time, even this grew into an advantage for IKEA. Nowadays, IKEA is often seen as having connotations of self-sufficiency. This image has done wonders for the company, leading to better sales and continued expansion.

銆€銆€(6) Today there are over 200 stores in 32 countries. Amazingly, Ingvar Kamprad has managed to keep IKEA a privately-held company. In 2004 he was named the world's richest man. He currently lives in Switzerland and is retired from the day-today operations of IKEA. IKEA itself, though, just keeps on growing.

銆€銆€1. Paragraph 2 __________

銆€銆€2, Paragraph 3 __________

銆€銆€3. Paragraph 4__________

銆€銆€4. Paragraph 5 __________

銆€銆€A. Ingvar Kamprad--a Born Businessman

銆€銆€B. Success Brought by the Introduction of Showrooms

銆€銆€C. The Origin of IKEA

銆€銆€D. Specialization in Selling Furniture

銆€銆€E. Flat Packaging-- a Feature of IKEA

銆€銆€F. World-wide Expansion oflKEA

銆€銆€5. Even when he was only a child, __________

銆€銆€6. __________ , and years later became a big company specialized in manufacturing and selling of furniture.

銆€銆€7. Customers liked the idea oflKEA's showrooms because__________

銆€銆€8. As flat packaging saves money for both IKEA and the customers,__________

銆€銆€A. IKEA began as a small store selling all kinds of cheap things

銆€銆€B. it is highly welcomed by both

銆€銆€C. Ingvar Kamprad showed interest in and talent for doing business

銆€銆€D. he lives happily in retirement

銆€銆€E. Here they can see and try the furniture they are going to buy

銆€銆€F. Ingvar successfully manages the company all by himself

銆€銆€涓嬮潰鐨勭煭鏂囧悗鏈夊叐闋呮脯瑭︿换鍕�(w霉)锛�(1)绗�23——26椤岃姹傚緸鎵€绲︾殑6鍊嬮伕闋呬腑鐐虹2——5娈电殑姣忔閬告搰1鍊嬫渶浣虫椤�;(2)绗�27——30椤岃姹傚緸鎵€绲︾殑6鍊嬮伕闋呬腑鐐烘瘡鍊嬪彞瀛愮⒑瀹�1鍊嬫渶浣抽伕闋呫€�

銆€銆€Is There a Way to Keep the Britain's Economy Growing?

銆€銆€(1) In today's knowledge economy, nations survive on the things they do best. Japanese design electronics while Germans export engineering techniques. The French serve the best food and Americans make computers.

銆€銆€(2) Britain specializes in the gift of talking. The nation doesn't manufacture much of anything. But il has lawyers, stylists and business consultants who earn their living from talk talk and more talk The World Foundation think tank says the UK's four iconic jobs today are not scientists engineers, teachers and nurses. Instead, they're hairdressers, celebrities, management consultant,and managers. But can all this talking keep the British economy going? The British govemmenl thinks it can.

銆€銆€(3) Although the country's trade deficit was more than 60 billion in 2006, UK's largest in th postwar period, officials say the country has nothing to worry about. In fact, Britain does hay a world-class pharmaceutical industry, and it still makes a small sum from selling arms abroad.It also trades services- accountancy, insurance, banking and advertising. The government believes Britain is on the cutting edge of the knowledge economy. After all, the country .Shakespeare and Wordsworth has a literary tradition of which to be proud. Rock'n' roll is at English language medium, and there are billions to be made by their cutting-edge bands, hother words, the creative economy has plenty of strength to carry the British economy.

銆€銆€(4) However, creative industries account for only about 4 percent of UK's exports of goods an services. The industries are finding it hard to make a profit, according to a report of thNational Endowment for Science, Technology and the Arts. The report shows only 38 percen of British companies were engaged in "innovation activities", 3 percentage points below the EU average and well below Germany (61 percent) and Sweden (47 percent).

銆€銆€(5) In fact, it might be better to call Britain a "servant" economy--there are at least 4 million people "in service", The majority of the population are employed by the rich to cook, clean,and take care of their children. Many graduates are even doing menial jobs for which they do not need a degree. Most employment growth has been, and will continue to be, at the low-skill end of the service sector--in shops, bars, hotels, domestic service and in nursing and care homes.

銆€銆€9. Paragraph 2__________

銆€銆€10. Paragraph 3 __________

銆€銆€11. Paragraph 4 __________

銆€銆€12. Paragraph 5 __________

銆€銆€A. Growth of Economy

銆€銆€B. "Servant" Economy

銆€銆€C. Strength of the Creative Economy

銆€銆€D. Weakness of the Creative Economy

銆€銆€E. Gift of Talking

銆€銆€F. Export of Talking Machines

銆€銆€13. Every country has its own way __________

銆€銆€14. The British government doesn't seem __________

銆€銆€15. The creative industries find it difficult__________

銆€銆€16. Many graduates are employed __________

銆€銆€A. to find jobs

銆€銆€B. to do low-skill lobs

銆€銆€C. to feed its people

銆€銆€D. to handle disputes

銆€銆€E. to make a profit

銆€銆€F. to worry about the British economy

銆€銆€鐠�(hu谩n)鐞冪恫(w菐ng)鏍¤伔绋辫嫳瑾炵啽闁€濂楅鎺ㄨ枽锛�

濂楅
鍖呭惈鐝
 骞哄缓鑿�+绔ュ饯闆欒€佸斧瑾茬▼锛氬(xu茅)缈掓寚灏�(d菐o)+瑭炲尟鐝�+瑾炴硶鐝�+绮捐瑳鐝�+鐪熼鐝�+瑙i  鎶€宸х彮+1v1鐩存挱鏁欏+瀵嗚〒(x霉n)鐩存挱瑾茬▼+鑰冨墠浜斿鍗�+鑰冮闋�(y霉)娓彮;
灏堜韩鏈嶅嫏(w霉)
 灏堝爆鐝富浠荤潱瀛�(xu茅)锛岄殠娈甸浕瑭卞皫(d菐o)瀛�(xu茅)锛屽皥灞湇鍕�(w霉)QQ缇�;
瓒呭€艰磮閫�
 椤屽韩杌熶欢銆佹渶鏂版暀鏉�銆佽鍏革紙11鏈堟柊鏁欐潗鍑虹増鍚庡揩閬烇級鍜岃伔绋辫▓绠楁瑾�  绋�  (Word2007涓枃瀛楄檿鐞�+Excel2007涓枃闆诲瓙琛ㄦ牸);
閲嶅(xu茅)淇濋殰
 鑰冭│涓嶉亷绗簩骞村厤璨婚噸瀛�(xu茅)锛�
鍜ㄨ瑾茬▼銆€銆€銆€銆€銆€銆€銆€銆€榛炴搳鍫卞悕

2017骞磋伔绋辫嫳瑾炶€冭│寰�(f霉)缈掗噸榛炲彞鍨嬪尟绺�

2017骞磋伔绋辫嫳瑾炶€冭│椤屽瀷鍒嗘瀽

2017骞磋伔绋辫嫳瑾炶€冭│寰�(f霉)缈掓寚灏�(d菐o)

2017骞磋伔绋辫嫳瑾炶€冭│鍌欒€冪稉(j墨ng)椹楀尟绺�

銆€銆€鐠�(hu谩n)鐞冪恫(w菐ng)鏍″弸鎯呮彁绀猴細鏈枃鏁寸悊"閲嶆叾2017骞磋伔绋辫嫳瑾炵稖鍚堥鑰冭│鑰冨墠娌栧埡绶寸繏姒傛嫭澶ф剰"銆傚鏋滄偍鍦ㄦ閬庣▼涓亣鍒颁换浣曠枒鍟忥紝璜嬬櫥閷勭挵(hu谩n)鐞冪恫(w菐ng)鏍�鑱风ū鑻辫獮闋婚亾鍙�鑱风ū鑻辫獮璜栧锛屾垜鍊戦毃鏅傝垏寤eぇ鑰冪敓鏈嬪弸鍊戜竴璧蜂氦娴�!

銆€銆€銆愭憳瑕併€戠挵(hu谩n)鐞冨垎浜殑“閲嶆叾2017骞磋伔绋辫嫳瑾炵稖鍚堥鑰冭│鑰冨墠娌栧埡绶寸繏姒傛嫭澶ф剰”甯屾湜灏嶅ぇ瀹跺倷鑰冭伔绋辫嫳瑾炶€冭│鏈夊公鍔�锛屾洿澶氳硣鏂欐暚璜嬮棞(gu膩n)娉ㄧ挵(hu谩n)鐞冭伔绋辫嫳瑾炶€冭│闋婚亾锛岀恫(w菐ng)鏍℃渻鍙婃檪鏇存柊鑰冭│璩囪▕……

銆€銆€鐩搁棞(gu膩n)鎺ㄨ枽锛�2017骞磋伔绋辫嫳瑾炶€冭│缍滃悎椤炶鍖反缈掑尟绺�

銆€銆€姒傛嫭澶ф剰鑸囧畬鎴愬彞瀛�

銆€銆€1.C銆傛湰娈电殑涓婚鍙ョ偤棣栧彞銆傛棣栧彞瑾�“IKEA(瀹滃)閫欏€嬪悕瀛楀彇鑷狵amprad鍏ㄥ悕鐨勯瀛楁瘝(L.K.)鍜屼粬鎴愰暦鐨勫湴鍚�(EandA)鐨勭府瀵�”锛岃€屼笖IKEA骞句箮璨┛鍏ㄦ鍑虹従(xi脿n)锛屽洜姝ょ偤娈佃惤涓婚瑭�锛屽収(n猫i)瀹规濂借垏閬搁爡C(IKEA鐨勮捣婧�)鎰忕京涓€鑷达紝鍥犳C鏄瓟妗�銆�

銆€銆€2.D銆傛湰娈电殑涓婚鍙ョ偤棣栧彞銆傛钀戒腑鍑虹従(xi脿n)浜嗘槑椤殑娈佃惤涓婚瑭�(furniture瀹跺叿)銆傝┎瑭炲咕涔庤搏绌挎暣鍊嬫钀藉嚭鐝�(xi脿n)锛屽洜姝(灏堥杸閵峰敭瀹跺叿)鏄┎娈垫钀戒富椤屻€�

銆€銆€3.B銆傛湰娈靛弽寰�(f霉)鍑虹従(xi脿n)鐨勮鐐簊howroom锛屽彲鐭howroom鐐烘湰娈电殑涓婚瑭�锛屾墍浠ラ伕闋匓(灞曞怀甯朵締鐨勬垚鍔�)鐐烘纰虹瓟妗�銆�

銆€銆€4.E銆傛湰娈靛弽寰�(f霉)鍑虹従(xi脿n)鐨勮鐐篺lat packaging(骞虫澘寮忓寘瑁�)锛岀洿鎺ュ嚭鐝�(xi脿n)浜嗗叐娆�锛岄枔鎺ュ嚭鐝�(xi脿n)浜嗗叐娆★細绗洓鍙ヤ腑鐨勪唬瑭瀒t鎸囦唬flatpackaging锛岀鍏彞涓殑this涔熸寚浠latpackagin9锛屽洜姝ゅ垽鏂穎latpackagin9鏄┎娈典富椤岃锛屽洜姝(瀹滃鐨勭壒鑹蹭箣涓€——骞虫澘寮忓寘瑁�)鏄瓟妗�銆傚緸鍏�(n猫i)瀹逛笂鐪嬶紝瑭叉鎻愬埌Kamprad寰炵湅鍒ヤ汉鍦ㄦ媶鍗稿鍏峰緱鍒板暉鐧�(f膩)锛屼簬鏄│琛岄姺鍞钩鏉垮紡鍖呰鐨勫鍏凤紝鏃㈠埄宸卞張鍒╀汉锛屽苟浣�“鑷繁鍕曟墜鑷郸鑷冻”鎴愮偤IKEA鐨勪竴鍊嬬壒鑹层€�

銆€銆€5.C銆傞骞诧細鐢氳嚦鐣朵粬閭勬槸鍊嬪瀛愮殑鏅傚€欙紝 銆傚埄鐢ㄩ骞查棞(gu膩n)閸佃child鍙互瀹氫綅鍒版枃绔犵殑绗竴娈�锛屾彁鍒颁粬寰炲皬灏卞枩姝¤常鏉辫タ鍜岃澈榛炲皬閷�锛屽洜姝ょ瓟妗堢偤C(灞曠ず鍑哄仛璨疯常鐨勮垐瓒e拰澶╄肠)銆�

銆€銆€6.A銆傞骞诧細__________锛屽咕骞翠互鍚庢墠璁婃垚涓€瀹跺皥鐕熷鍏风殑鍏徃銆傜敱姝ゆ帹鏂峰墠鍗婂彞鑲畾瑕佹彁鍒颁竴瀹跺叕鍙哥殑鍚嶇ū锛岀浜屾绗簩鍙ユ彁鍒�“…it was not a furniture company in the beginning.Rather,IKEA sold all kinds ofmiscellaneous goods.”鍙煡涓€闁嬪瀹滃涓嶆槸瀹跺叿鍏徃锛岃€屽彧鏄竴瀹跺皬鍟嗗簵锛岄姺鍞悇绋究瀹滅殑鏉辫タ锛屾墍浠ョ瓟妗堢偤A銆�

銆€銆€7.E銆傞骞诧細椤у鍠滄IKEA鐨勫睍寤�锛屽洜鐐� __________ 銆傚埄鐢ㄥ晱椤屽彞鍓嶅崐鍙ヤ腑鐨勭窗绡€(ji茅)淇℃伅瑭瀞howroom浣滅偤绛旀绶氱储锛屽畾浣嶅埌绗洓娈电涓夊彞锛岃┎鍙ヨ“棣栭枔瀹e灞曞怀鏀跺埌浜嗙┖鍓嶇殑鏁堟灉锛屽洜鐐轰汉鍊戝崄鍒嗘▊鎰忓湪璩艰卜涔嬪墠鑳借Κ鐪肩湅鍒板苟瑭︾敤閫欎簺瀹跺叿”锛岀敱姝ゅ垽鏂稥(鍦ㄩ€欓噷浠栧€戣兘瑕溂鐪嬭骞朵笖閭勮兘瑭︾敤浠栧€戝皣瑕佽臣璨风殑瀹跺叿)銆�

銆€銆€8.B銆傞骞诧細鍥犵偤骞虫澘鍖呰鐐哄疁瀹跺拰椤у閮界渷閷紝__________銆傚埄鐢ㄥ晱椤屽彞鍓嶅崐鍙ヤ腑鐨勭窗绡€(ji茅)淇℃伅瑭瀎lat package浣滅偤绛旀绶氱储鍙互瀹氫綅鍒扮浜旀锛屽彲鐭ュ鍏峰簵鍜岄¨瀹㈤兘鍙楃泭锛屽洜姝(鍙楀埌闆欐柟鐨勬杩�)鏄瓟妗堛€�

銆€銆€姒傛嫭澶ф剰鑸囧畬鎴愬彞瀛�

銆€銆€9.E銆傛湰娈电殑涓婚鍙ョ偤棣栧彞“鑻卞湅浜哄杽浜庤珖瑭�”銆倀alk骞句箮璨┛鍦ㄦ暣鍊嬫钀戒腑锛屽洜姝ゆ槸娈佃惤涓婚瑭�锛岀敱姝ゆ帹鏂稥鎴朏鍙兘鏄瓟妗堛€傛棣栧彞鍙婃灏惧彞鍧囪垏E鐩搁棞(gu膩n)锛屼笖鎰忕京涓€鑷�锛屽洜姝鏄瓟妗�銆俫ift鏄�“澶╄肠”鐨勬剰鎬�銆�

銆€銆€10.C銆傝┎娈典富椤屽彞鏄熬鍙ャ€傝┎娈佃锛氳嫳鍦嬫槸钁楀悕浣滃Shakespeare(鑾庡+姣斾簽)鍜學ordsworth(鑿尣鑿柉)鐨勬晠閯�(xi膩ng)锛岄€欎簺鏂囧(xu茅)瀹跺拰鑻卞湅鐨勬悥婊炬▊鍦樺壍(chu脿ng)閫犱簡澶ч噺鐨勭簿绁炶病瀵岋紝涔熺偤鑻卞湅璩哄緱浜嗗ぇ閲忕殑閷�锛岄’绀轰簡鍓�(chu脿ng)閫犳€х稉(j墨ng)婵熺殑鍔涢噺銆傜敱姝や篃鍙緱鍑篊鏄瓟妗�銆�

銆€銆€11.D銆傜鍥涙鐨勭浜屽€嬪彞瀛愭槸娈佃惤涓婚鍙�(娆�(qu谩n)濞佹妲�(g貌u)鐨勮榛�)銆傝┎鍙ヨ瑳杩�“鍓�(chu脿ng)閫犳€ц妤�(y猫)鐨勫急榛炴槸寰堥洠鐩堝埄”锛屽洜姝鏄瓟妗�銆傛彁绀猴細閫氬父鍑虹従(xi脿n)鍦ㄦ钀介枊闋儴鍒嗘垨绲�(ji茅)灏鹃儴鍒嗙殑娆�(qu谩n)濞佹妲�(g貌u)/娆�(qu谩n)濞佷汉澹殑瑙€榛�/鐧�(f膩)瑷€/鐮旂┒鐧�(f膩)鐝�(xi脿n)寰€寰€鐩存帴鎻ず娈佃惤涓婚銆�

銆€銆€12.B銆傜浜旀棣栧彞鏄富椤屽彞銆傝┎鍙ュぇ鎰忔槸锛氬闅涗笂锛屾妸鑻卞湅鐨勭稉(j墨ng)婵熷彨鍋氭湇鍕�(w霉)缍�(j墨ng)婵熸洿鎭扮暥涓€浜�锛屽洜鐐鸿嚦灏戞湁400钀汉鍦ㄥ仛鏈嶅嫏(w霉)鎬у伐浣�銆傚洜姝ら伕B銆�

銆€銆€13.c銆傞骞诧細姣忓€嬪湅瀹堕兘鏈夊叾__________鐨勬柟娉�銆傚埄鐢ㄩ骞查棞(gu膩n)閸佃鍙互瀹氫綅鍒扮涓€娈甸鍙�銆傝┎鍙ヨ锛氬湪浠婂ぉ鐨勭煡璀樼稉(j墨ng)婵熸檪浠o紝鍚勫€嬪湅瀹堕兘闈犺嚜宸辩殑寮峰嫝闋�(l菒ng)鍩熻€岀敓瀛�銆傚洜姝ら伕to feed its people(椁�(y菐ng)娲昏嚜宸辩殑浜烘皯)鑸噑urvive鐩稿皪鎳�(y墨ng)銆�

銆€銆€14.F銆傞骞诧細鑻卞湅鏀垮簻濂藉儚涓峗_________銆傚埄鐢ㄥ晱椤屽彞涓殑鐗瑰緛瑭濨ritish government浣滅偤绛旀绶氱储锛屽湪鏂囩珷涓壘鍒扮瓟妗堢浉闂�(gu膩n)鍙ワ細绗簩娈电殑鏈€鍚庡叐鍙ヨ┍銆傚ぇ鎰忔槸锛氭墍鏈夐€欐ǎ鐨勮█璜栬兘璁撹嫳鍦嬬殑缍�(j墨ng)婵熼亱杞�(zhu菐n)鍡�?鑻卞湅鏀垮簻瑾嶇偤鏄彲浠ョ殑銆傜敱姝ゅ彲鎺ㄦ柗鍑猴細鑻卞湅鏀垮簻濂藉儚骞朵笉鎿斿績鑻卞湅鐨勭稉(j墨ng)婵�銆傛墍浠鏄皪鐨勩€�

銆€銆€15.E銆傞骞诧細鍓�(chu脿ng)鏂拌妤�(y猫)鐧�(f膩)鐝�(xi脿n)寰堥洠__________銆傚埄鐢ㄩ骞查棞(gu膩n)閸佃鍙互瀹氫綅鍒扮鍥涙鐨勪富椤屽彞锛�“The industries are finding it hard to make a profit锛宎ccording to a report of the National Endowment for Science锛孴echnology and the Arts.”(鏍规摎(j霉)鍦嬪绉戝(xu茅)鎶€琛�(sh霉)钘濊(sh霉)鎹愯磮濮斿摗鏈冪殑涓€浠藉牨鍛�锛岄€欎簺鍓�(chu脿ng)閫犳€ц妤�(y猫)鍦ㄧ嵅寰楀埄娼や笂寰堝洶闆�)銆傚洜姝�锛孍鐐烘纰虹瓟妗堛€�

銆€銆€16.B銆傞骞诧細瑷卞鐣㈡キ(y猫)鐢熻闆囧偔__________銆傚埄鐢ㄥ晱椤屽彞涓秹鍙婄殑淇>绲�(ji茅)妲�(g貌u)鐨勭窗绡€(ji茅)淇℃伅瑭瀖any graduates(瑷卞鐣㈡キ(y猫)鐢�)浣滅偤绛旀绶氱储锛屽湪鏂囩珷绗簲娈典腑鎻愬埌锛岃ū澶氱暍妤�(y猫)鐢熺敋鑷冲湪骞蹭笉闇€瑕佸(xu茅)浣嶇殑楂斿姏娲汇€傞珨鍔涙椿鏄爆浜庝綆鎶€琛�(sh霉)鐨勬椿锛屽洜姝鏄纰虹殑銆�

銆€銆€鐠�(hu谩n)鐞冪恫(w菐ng)鏍¤伔绋辫嫳瑾炵啽闁€濂楅鎺ㄨ枽锛�

濂楅
鍖呭惈鐝
 骞哄缓鑿�+绔ュ饯闆欒€佸斧瑾茬▼锛氬(xu茅)缈掓寚灏�(d菐o)+瑭炲尟鐝�+瑾炴硶鐝�+绮捐瑳鐝�+鐪熼鐝�+瑙i  鎶€宸х彮+1v1鐩存挱鏁欏+瀵嗚〒(x霉n)鐩存挱瑾茬▼+鑰冨墠浜斿鍗�+鑰冮闋�(y霉)娓彮;
灏堜韩鏈嶅嫏(w霉)
 灏堝爆鐝富浠荤潱瀛�(xu茅)锛岄殠娈甸浕瑭卞皫(d菐o)瀛�(xu茅)锛屽皥灞湇鍕�(w霉)QQ缇�;
瓒呭€艰磮閫�
 椤屽韩杌熶欢銆佹渶鏂版暀鏉�銆佽鍏革紙11鏈堟柊鏁欐潗鍑虹増鍚庡揩閬烇級鍜岃伔绋辫▓绠楁瑾�  绋�  (Word2007涓枃瀛楄檿鐞�+Excel2007涓枃闆诲瓙琛ㄦ牸);
閲嶅(xu茅)淇濋殰
 鑰冭│涓嶉亷绗簩骞村厤璨婚噸瀛�(xu茅)锛�
鍜ㄨ瑾茬▼銆€銆€銆€銆€銆€銆€銆€銆€榛炴搳鍫卞悕

2017骞磋伔绋辫嫳瑾炶€冭│寰�(f霉)缈掗噸榛炲彞鍨嬪尟绺�

2017骞磋伔绋辫嫳瑾炶€冭│椤屽瀷鍒嗘瀽

2017骞磋伔绋辫嫳瑾炶€冭│寰�(f霉)缈掓寚灏�(d菐o)

2017骞磋伔绋辫嫳瑾炶€冭│鍌欒€冪稉(j墨ng)椹楀尟绺�

銆€銆€鐠�(hu谩n)鐞冪恫(w菐ng)鏍″弸鎯呮彁绀猴細鏈枃鏁寸悊"閲嶆叾2017骞磋伔绋辫嫳瑾炵稖鍚堥鑰冭│鑰冨墠娌栧埡绶寸繏姒傛嫭澶ф剰"銆傚鏋滄偍鍦ㄦ閬庣▼涓亣鍒颁换浣曠枒鍟�锛岃珛鐧婚寗鐠�(hu谩n)鐞冪恫(w菐ng)鏍�鑱风ū鑻辫獮闋婚亾鍙�鑱风ū鑻辫獮璜栧锛屾垜鍊戦毃鏅傝垏寤eぇ鑰冪敓鏈嬪弸鍊戜竴璧蜂氦娴�!

鍒嗕韩鍒帮細 绶ㄨ集锛氱挵(hu谩n)鐞冪恫(w菐ng)鏍�

璩囨枡涓嬭級 绮鹃伕瑾茬▼ 鑰佸斧鐩存挱 鐪熼绶寸繏

鑱风ū鑻辫獮璩囨牸鏌ヨ

鑱风ū鑻辫獮姝峰勾鐪熼涓嬭級 鏇村

鑱风ū鑻辫獮姣忔棩涓€绶� 鎵撳崱鏃ユ

0澶�
绱▓鎵撳崱
0浜�
鎵撳崱浜烘暩(sh霉)
鍘绘墦鍗�

闋�(y霉)瑷堢敤鏅�3鍒嗛悩

鑱风ū鑻辫獮鍚勫湴鍏ュ彛
鐠�(hu谩n)鐞冪恫(w菐ng)鏍$Щ鍕曡鍫侫PP 鐩存挱銆佽伣瑾�銆傝伔閬旀湭渚嗭紒

瀹夊崜鐗�

涓嬭級

iPhone鐗�

涓嬭級

璇剧▼鍜ㄨ

鍞悗鏈嶅姟

APP绔嬪噺150

娉ㄥ唽APP

璐婊″噺鍒稿厤璐归

出版物经营许可证|京B2-20210770| 京公网安备 11010802033350号|京ICP备16038139号|节目制作经营许可证(京)字20130号
知春路校区:北京市海淀区知春路7号致真大厦D座4层北区(地铁10号线西土城出A口)|邮编:100191
版权所有 2003-2024 北京环球创智软件有限公司|联系客服|营业执照

棰勭害鎴愬姛
鎮ㄥ凡缁忔垚鍔熼绾� 鑰冭瘯鐭俊鎻愰啋
鎵爜娣诲姞瀹㈡湇寰俊鍙�
娣诲姞瀹㈡湇寰俊鍙凤紝閭€鎮ㄨ繘缇ら鍙栧涔犺祫鏂欍€佺洿鎾绋嬬瓑锛岃繕鑳藉拰鍏朵粬灏忎紮浼翠竴璧峰涔犱氦娴併€傛坊鍔犳椂璇峰洖澶�棰嗗彇